Western literature/week10

A. Tragedy and Comedy

Comedy and Tragedy are two genres of literature that traces their origins back to the Ancient Greece. In simple terms, the main difference between comedy and tragedy is that the comedy is a humorous story with a happy ending while a tragedy is a serious story with a sad ending. Before moving into analyzing the difference between comedy and tragedy further, let us first look at these genres separately.

Tragedy is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilisation. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.

A comedy can be simply defined as a story with a happy ending that makes the audience laugh. A comedy is a story that illustrates idiosyncrasies of ordinary people, has a happy ending where protagonist achieves his goal at the end. Some examples of famous comedies include Shakespeare’s: “As you like it”, “Much ado about nothing”, “A midsummer night’s dream”.

Ancient Indian drama


B. Surviving plays

	Aeschylus /ˈiːskᵻləs/ was an ancient Greek tragedian. He is often described as the father of tragedy.Critics' and scholars' knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays. According to Aristotle, he expanded the number of characters in theater allowing conflict among them; characters previously had interacted only with the chorus.
	Seven Against Thebes is the third play in an Oedipus-themed trilogyproduced by Aeschylus in 467 BC. The trilogy is sometimes referred to as the Oedipodea.[1] It concerns the battle between an Argive army led by Polynices and the army of Thebes led by Eteocles and his supporters. The trilogy won the first prize at the City Dionysia. The trilogy's first two plays, Laius and Oedipus, as well as the satyr play Sphinx, are no longer extant.
	The Suppliants is a play by Aeschylus. It was probably first performed sometime after 470 BC as the first play in a tetralogy, sometimes referred to as the Danaid Tetralogy, which probably included the lost plays The Egyptians (also called Aigyptioi), and The Daughters of Danaus (also called The Danaids or The Danaides), and the satyr play Amymone. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama.

C. The Greek Tragedy

Aeschylus /ˈiːskᵻləs/ was an ancient Greek tragedian. He is often described as the father of tragedy.Critics' and scholars' knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays. According to Aristotle, he expanded the number of characters in theater allowing conflict among them; characters previously had interacted only with the chorus.

In Greek mythology, Agamemnon was the son of King Atreus and Queen Aerope of Mycenae, the brother of Menelaus, the husband of Clytemnestra and the father of Iphigenia, Electra or Laodike (Λαοδίκη), Orestes and Chrysothemis. Mythical legends make him the king of Mycenae or Argos, thought to be different names for the same area. When Helen, the wife of Menelaus, was taken to Troy by Paris, Agamemnon commanded the united Greek armed forces in the ensuing Trojan War.

D. Others
tension between men and women


a moment of excellence

Electra complex

In Neo-Freudian psychology, the Electra complex, as proposed by Carl Gustav Jung, is a girl's psychosexual competition with her mother for possession of her father. In the course of her psychosexual development, the complex is the girl's phallic stage; formation of a discrete sexual identity, a boy's analogous experience is the Oedipus complex. 

The Electra complex occurs in the third—phallic stage (ages 3–6)—of five psychosexual development stages: (i) the Oral, (ii) the Anal, (iii) the Phallic, (iv) the Latent, and (v) the Genital—in which the source libido pleasure is in a different erogenous zone of the infant’s body.